Top 12 Condenser Mics For Live Vocals 2023 | Integraudio (2023)

To capture the sound of live performances, like concerts, theatrical productions, and stand-up comedy shows, microphones are indispensable tools that amplifies the performers’ sound providing a clear and immersive audio experience for the audience.

In this article, we’ll cover the best condenser mics of 2023 for live vocals and live performances, the top twelve broad frequency range condenser microphones suitable for a wide range of musical instruments and vocal styles.

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What’s The Benefit of a Condenser Mic For Live Vocals?

They have excellent sensitivity and can pick up even the faintest sounds. This makes them perfect for capturing the nuances of a singer’s voice, adding depth and emotion to a live performance. Additionally, they have a much higher frequency response than dynamic mics, allowing them to capture a wider range of frequencies.

Also, condenser mics are known for their low self-noise; this is especially important for live performances, where the audience or other microphones can pick up the sound of the mic itself. With these mics, the audience can focus on the sound of the vocals without any unwanted background noise or distortion.

How To Choose Condenser Microphone For Live Vocals?

A condenser mic’s sensitivity is essential, as it affects how well the mic captures the subtle nuances of the vocalist’s performance. Look for a mic with high sensitivity and a flat frequency response. This will ensure it can pick up all the nuances and all frequencies equally.

Choosing the right polar pattern; refers to the microphone’s directional sensitivity. Designed to capture sound from the front while rejecting sound from the back and sides, cardioid polar pattern mics are often the best choice. This is essential to reduce unwanted noises from the stage.

Top 12 Condenser Mics For Live Vocals 2023

1. Sennheiser E 945 Super-Cardioid Microphone

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A favorite among sound engineers and performers alike, with its advanced features and superior build quality, the E 945 was designed for live vocal performances.

The Sennheiser E 945 Super-Cardioid mic delivers exceptional vocal clarity and accuracy, even in the noisiest environments. It features a super-cardioid pickup pattern that provides superior isolation and feedback rejection, which makes it ideal for live vocals in crowded and noisy environments.

Whether performing on a crowded stage or in a loud concert venue, its neodymium magnet dynamic capsule provides high sensitivity and accurate sound reproduction, ensuring that your vocals come through loud and clear.

This mic is built to withstand the rigors of frequent use, and its shock-mounted capsule reduces handling noise and provides added stability for the microphone.

In addition, the Sennheiser E 945 also features a hum-compensating coil that reduces electromagnetic interference, resulting in a clearer and more stable sound.

This feature is especially useful in live environments, where numerous electronic devices and other sources of interference can negatively affect the mic’s performance.

The Sennheiser E 945 is a reliable and high-performing mic that delivers exceptional sound quality and performance, an excellent choice for singers and sound engineers who demand the very best in live performance mics.

Key Features:

  • Polar Pattern
    The Sennheiser E 945 has a super-cardioid polar pattern, meaning it is more sensitive to sounds directly in front of the mic while rejecting sounds from the sides and rear. It is ideal for use in noisy environments, as it can help reduce sounds from background sources.
  • Capsule
    It uses a capsule with a diameter of 1.8″ that boasts a neodymium magnet, a powerful and lightweight magnet designed to provide excellent sensitivity and response, and a diaphragm made from a high-quality Mylar material. This technology allows the component to be light while also extremely durable.
  • Frequency Response & Sensitivity
    Featuring a frequency response range of 40Hz to 18kHz and with a relatively high sensitivity of 2.0 mV/Pa, this mic covers a wide range of vocal frequencies and has the dynamics to capture even the faintest sounds.
    Its response curve is relatively flat, with a slight boost in the midrange frequencies to enhance the presence and clarity of vocals. It also features a low-cut filter with a -3 dB cut at 120 Hz; this can be engaged to reduce low-frequency rumble.
  • Impedance
    The E 945 features an impedance of 350 ohms. This means that it is compatible with a wider range of preamps and audio interfaces, including both professional and entry-level gear.
  • Maximum SPL
    With a maximum sound pressure level of up to 150 dB, it can handle high-volume sources without distortion. This is key for live performances where the vocalist will most likely perform in front of loud instruments or amplifiers and be exposed to high-level background noise.
  • Build
    The E 945 is built with rugged metal housing, designed to withstand usage in live performances. It also features a shock-mounted capsule that helps cancel handling noise and a hum-compensating coil to reduce electromagnetic interference.


The mic’s low sensitivity to proximity effect and high off-axis rejection of feedback makes it easier for performers to achieve great sound without worrying about distortions or interference, ensuring that the audio is accurate and captures all their vocal dynamics.

The mic’s sleek design and comfortable grip make it easy to hold and use. So you’ll have a reliable and powerful tool on your rig.


While the super-cardioid polar pattern of the E 945 provides excellent off-axis rejection, it can also be less forgiving of mic placement. This means that users may need to be more careful with their microphone technique to avoid singing out of the capsule’s frontal range.

Also, it is slightly heavier than some other dynamic mics, which may make it less comfortable when holding for extended periods.

2. Rode M2 Handheld Condenser Microphone

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This cardioid condenser mic offers optimal specs to enjoy a transparent, natural reproduction of your performance.

The Rode M2 condenser mic delivers exceptional performance for live vocals. It features a super-cardioid polar pattern that delivers excellent off-axis rejection and feedback control, making it an ideal choice for use on stage.

Its condenser capsule delivers exceptional clarity and accuracy in vocal reproduction and provides a wide frequency response and high sensitivity, resulting in detailed and natural-sounding vocals.

This microphone is designed with a low handling noise, which makes it easy for performers to handle and maneuver while on stage. This high-pass filter helps reduce low-frequency noise and rumble, resulting in cleaner and more focused vocals.

The M2 is also fitted with a windshield that helps reduce wind and breath noise, further improving the mic’s performance.

All of this is especially important for live performances, where the sound of the microphone being handled, or any unwanted sound coming from other stage sources, can be picked up by the audience or other microphones.

With its high-end specs and sturdy build, the Rode M2 is a powerful tool that will deliver excellent results with top performance every time.

Key Features:

  • Polar Pattern
    The M2 has a cardioid polar pattern, which allows it to capture sound coming from the front while boasting a wider angle; this works great for capturing a trio of backing vocals or using it as overhead for drum cymbals while still rejecting unwanted background noise.
  • Frequency Response & Sensitivity
    It boasts a wider frequency response range of 20Hz to 20kHz, enabling it to capture all human vocal ranges and be well-suited to instruments. With a high sensitivity rating of -44 dBV/Pa, this mic can pick up even low-level sounds with great clarity, making it an ideal choice for capturing quieter sounds or more nuanced performances.
  • Impedance
    The Rode M2 has a low output impedance of 50 ohms, meaning it can deliver a strong and clear signal even over long cable runs common within big stages and arenas; this ensures its quality is preserved despite the distance between the mic and the connected device.
  • Maximum SPL
    It has a maximum sound pressure level of 141dB, making it capable of handling even the loudest and most dynamic performances, either from vocals or instruments, without distorting or clipping.
  • Build
    It features a custom-designed internal shock mount that helps isolate the capsule from any handling noise or vibrations, designed to withstand the rigors of frequent use in both live and studio settings. It also helps reduce any unwanted electromagnetic or radio frequency interference.


The high-quality condenser capsule can capture clear and detailed sound with high sensitivity. Its gold-plated diaphragm, which helps reduce distortion and unwanted noise, ensures that the mic delivers a clean and accurate sound and covers a wide range of applications.

The custom-designed internal shock mount helps to isolate the capsule from handling noise and vibrations, while the rugged metal body ensures that the mic can withstand frequent use in both live and studio settings.


(Video) Best Vocal Microphone For Live Performance | Top 5 Best Vocals Microphone In 2023

One potential drawback is the mic’s sensitivity. While the high sensitivity of the condenser capsule can be a benefit in many situations, it can also make the mic more susceptible to picking up unwanted background noise.

You may need extra care to position the mic correctly to ensure optimal sound quality.

3. Shure Beta 87A (Classic)

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A true classic, the Beta 87A has been a traditional ally to sound engineers and performers, giving voice to their live performance expression.

The Shure Beta 87A condenser microphone is widely recognized for its exceptional vocal clarity and accuracy. Its super-cardioid polar pattern makes it an excellent choice for use on stage or in any live performance setting since it provides superior feedback rejection and isolation.

Its advanced pneumatic shock mount system, with a built-in pop filter, effectively eliminates handling noise and ensures the microphone remains stable and secure during use.

This mic is built with rugged and durable construction; its hardened steel grille protects the mic’s sensitive capsule from damage, and its heavy-duty metal body can withstand the bumps that come with life on the road.

Its capsule was designed to handle high sound pressure levels without distortion, ensuring that your vocals come through loud and clear; its high sensitivity and low self-noise make it ideal for use in even the most challenging live performance environments.

The Beta 87A is a high-quality condenser mic that can deliver exceptional vocal performance in any live setting.

Key Features:

  • Polar Pattern
    The Beta 87A boasts a super-cardioid polar pattern that effectively minimizes background noise and feedback while amplifying sound from the source in front of the microphone. This high-performance condenser microphone was specifically designed for live performance settings.
  • Frequency Response & Sensitivity
    With a frequency response range of 50Hz to 20kHz, it can capture a wide range of sound frequencies, a little drier on the bass and wider on the treble notes. It has a sensitivity of -52.0 dBV/Pa, making it ideal for recordings of vocals or instruments that require a higher sensitivity level, as it covers the dynamics necessary for clear and transparent reproduction.
  • Impedance
    The low impedance of 150 ohms ensures that the mic can deliver a high output level; this is essential when recording in loud environments as it helps the audio to be captured without distortions or clipping while also allowing it to be connected to most preamplifiers and recording devices.
  • Maximum SPL
    The Beta 87A can handle a maximum sound pressure level of 140 dB, meaning that it can record, without distorting, very loud sounds like drums and expressive shouting.
  • Build
    It is built using carefully selected high-quality components and engineered to provide exceptional performance; its slick body is constructed from a durable, lightweight die-cast zinc alloy and a hardened steel wire-mesh grille, providing excellent resistance to wear and wear and tear.
  • Preamplifier Circuit
    Another key component of the Beta 87A mic is its preamplifier circuit, designed to provide a low noise floor and a high signal-to-noise ratio; this ensures the recorded sound is as clean and accurate as possible. It also includes a roll-off switch, which can be used to reduce the amount of low-frequency noise that is captured.


Its high sensitivity and extended frequency response allow it to capture clear and detailed sound, being praised by many for its clean and natural sound quality. Some note that it captures the subtle nuances of vocal performances with exceptional clarity.

Overall, the Shure Beta 87A build quality and technical specs makes it a highly-regarded and reliable tool for recording and live sound applications.


The mic’s sensitivity may be a double-edged sword, as it can pick up background noise if not carefully positioned; this maybe a disadvantage in noisy or crowded environments since it might lead to interference issues which may.

Also, some users have noted that the high-end boost may not be ideal for all vocal types, as it can accentuate sibilance and other high-frequency sounds.

4. Neumann KMS105 Super-Cardioid Microphone (High-End)

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This high-end super-cardioid condenser mic boats professional-grade components, resulting in low-self noise and a clear, accurate reproduction

One of the standout features of the Neumann KMS105 is its transparent and natural sound. The condenser capsule technology ensures that every nuance of the vocalist’s performance is captured accurately and with exceptional detail. Its wide frequency response allows for a warm and natural sound well-suited to various vocal styles.

Especially important for live performances, this mic also features a low self-noise level, which ensures that the microphone produces very little background noise that, together with its shock-mounted build, ensures reduced handling noise.

The KMS105 super-cardioid polar pattern provides high directional sensitivity, making it ideal for live vocal performances where isolation and feedback rejection are critical. All this off-axis sound rejection obligates you to stand precisely at the front of the mic.

This focused capturing of the super-cardioid is more suited for stage settings than the KMS104 cardioid alternative, that while primarily picks up sounds from the front, it has a broader capturing range picking up also sounds from side sources.

This mic’s high-end quality parts and sturdy build make it a top-performing tool for professional vocalists and sound engineers who want the best on their live rig.

Key Features:

  • Polar Pattern
    This mic boasts a super-cardioid polar pattern, which provides excellent off-axis rejection and helps to isolate the source sound from ambient noise and other unwanted sounds. Its pattern runs consistently across all frequencies, which helps to maintain its sound quality without variation.
  • Frequency Response & Sensitivity
    The response is smooth and natural at 20Hz-20kHz, with a slight boost in the presence region that helps to enhance clarity and detail and allows the vocals to cut through the mix. This mic has a sensitivity of 4mV/Pa, requiring a low input level to produce a high output level.
  • Impedance
    This mic has a nominal impedance of 50 ohms, a fairly common impedance for professional audio equipment, including mixing consoles, preamplifiers, and audio interfaces.
  • Maximum SPL
    Being able to sustain high sound pressure levels of up to 150dB, the Neumann KMS105 is ideal for live setting applications, whether vocals or loud instruments like electric guitars and drums.
  • Build
    With a matte black finish that looks great on stage, the KMS105 design is also functional, with a tapered handle that provides a comfortable grip and a non-slip surface that helps to prevent drops.
  • Suspension System
    The suspension system isolates the capsule from handling noise and vibrations, providing a clear and consistent sound even when the mic is moved or bumped; this makes it ideal in live performance applications where the mic is likely to be handled frequently.


The mic’s super-cardioid polar pattern helps to reduce off-axis noise and reduce feedback, while its low self-noise and wide frequency response ensure that the recorded sound is clear, detailed, and natural-sounding. At the same time, its high-quality internal components are designed to resist damage from shock, vibration, and temperature extremes.

Many users also appreciate the mic’s integrated pop shield and its ability to reduce unwanted noises, as its sturdy built and made to withstand the rigors of professional use.


Some users have reported that the mic can be sensitive to handling noise, which can be a problem in certain recordings or performances. While this issue can be mitigated by using proper microphone techniques and shock mounts, it is still something to be aware of when using the microphone.

5. Audio-Technica AT2010 Cardioid Condenser Microphone (Budget)

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This mic can be used for either vocal performance or instrument capturing, like a drumkit or an electric guitar amp, making it a versatile option.

Its exceptional sound quality is one of the Audio-Technica AT2010 standout features. The microphone features a high-quality condenser capsule that delivers clear and natural sound; its wide frequency response and high-output designresult in vocals and instruments that are well-defined and well-balanced in the mix.

This mic is also extremely versatile, being possible to use it with a broad range of equipment, including mixers, amplifiers, and DAWs. Its low-mass diaphragm and cardioid polar pattern work together to provide excellent off-axis rejection and feedback suppression.

The high SPL handling capabilities enable the AT2010 to handle sound pressure levels up to 136 dB, making it well-suited for loud sound sources such as drums or electric guitar amps.

It also includes a switchable 80Hz high-pass filter that can reduce low-frequency rumble and noise, so you can position the mic without worrying about unwanted feedback or background noise.

With rugged metal construction and includes a multi-stage grille to protect the diaphragm from damage, the AT2010 is built to last. It also features a pivoting stand mount that provides flexible positioning options and makes it easy to set up and use on stage.

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Key Features:

  • Polar Pattern
    The AT2010 features a cardioid polar pattern, which means it is most sensitive to sound coming directly in front, yet it has a wider range. Hence, it also captures some o the side sources, making it optimal for opened yet front-oriented live settings.
  • Frequency Response & Sensitivity
    With a frequency response of 40Hz to 20kHz, this mic has enough range to cover all spectrums of human vocals while maintaining the low-end bass dryer for a more sensitive mic but with reduced distortion. It has a sensitivity of -55dBV/Pa, requiring moderate sound pressure to generate an electrical signal.
  • Impedance
    It has an impedance of 100 ohms; this relatively low impedance allows the microphone to produce a stronger audio signal, making it well-suited for recording quieter sound sources like acoustic guitars and vocals.
  • Maximum SPL
    With a maximum SPL of 136dB, the mic can handle loud sound sources without distorting or causing damage to the capsule. This makes it well-suited for loud, dynamic sources like brass instruments, making this mic a versatile and reliable tool in your rig.
  • Build
    The Audio-Technica AT2010 features a robust capsule, built using high-quality materials that contribute to its durability and potential, designed for reliable and consistent performance. Its metal construction was built to make it resistant to drops and bumps.


Some users have complimented this mic’s ability to capture vocals and acoustic instruments with clarity and detail and its versatility in various live and recording applications.

Its clear and natural sound quality, durability, and affordable price make this mic a great option for those on a budget.


One potential drawback is its relatively limited frequency response range, which may not be suitable for capturing the full spectrum of certain sound sources like drums or other instruments.

For example, some users have noted that the micmay not provide enough high-end detail for recording cymbals or other high-frequency percussion instruments.

6. Shure SM86

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Shure always delivers reliable, high-performance equipment, and the SM86 is fully optimized for vocal reproduction.

The Shure SM86 is a condenser microphone designed for live performance settings; it is a reliable and durable choice for performers who need a mic that can withstand live performing handling use. Its metal body can endure the rigors of touring, and its shock-mounted cartridge also helps to minimize handling noise.

Its high-end condenser cartridge also features outstanding sound quality; it provides a smooth frequency response, capturing all of the nuances of the vocals, from the subtle nuances of a whisper to the powerful projection of a shout.

To further enhance the mics focused sound, it features a cardioid polar pattern and a low-frequency roll-off switch that, along with the built-in three-stage pop filter, helps reduce unwanted background noise and any rumble and low-frequency noises.

Whether you’re performing in a small club or a large concert venue, the SM86 will deliver clear and accurate vocals that will cut through the mix.

Key Features:

  • Polar Pattern
    Featuring a cardioid polar pattern, this mic also has a front-focused pattern. It lets some side sources bleed into the capture, making it ideal for opened sources like backing dynamic vocal recording.
  • Frequency Response & Sensitivity
    It features a little narrower yet optimized frequency response range of 50Hz to 18kHz; this means that although it may lack the range to capture the cymbals trebles or a low bass punch fully, it is capable of covering the full spectrum of human vocals, as its sensitivity of -50dBV/Pa, ensures that it can pick up even the quietest sounds.
  • Impedance
    In terms of impedance, it is well-suited for most audio interfaces and mixers with a low impedance of 150 ohms. Allowing it to be connected without the need for any additional impedance-matching equipment.
  • Maximum SPL
    Being able to handle high sound pressure levels of up to 147dB, the SM86 has the dynamics necessary to capture the vocalist’s expressive performance without distortions or damage to the mic’s capsule.
  • Build
    Its built-in shock mount helps reduce handling noise and vibrations, enhancing sound quality. This is key for live performances where the mic may be moved around or held by the performer.


The mic’s high sensitivity and low impedance make it compatible with a wide range of audio equipment, making it versatile and easy to use in various settings.

Furthermore, the SM86’s built-in shock mount and pop filter helps reduce handling noise and plosives, resulting in cleaner recordings. Many users have noted that the mic is well-built and sturdy, making it ideal for live performances.

The mic’s presence boost has also received positive feedback, with many stating that it adds a pleasant brightness to vocals without sounding harsh.


One potential drawback is its relatively narrow frequency response range of 50Hz to 18kHz, which may limit its ability to capture very low or high-frequency sounds.

This may not be a significant issue for vocal recording, but it could be a consideration for recording instruments or sound effects.

Some users have reported that the mic can be sensitive to plosives and handling noise, despite the built-in pop filter and shock mount. When positioning and using the mic may require additional care and attention.

7. Behringer SB 78A (Budget)

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A versatile cardioid option that will allow you to capture different sound sources with a highly responsive capsule, ensuring all nuances are reproduced

Designed to provide professional-level sound quality at an affordable price, the SB 78A features a cardioid polar pattern that helps to isolate the sound source and reduce background noise, making it ideal for live performances due to its excellent off-axis rejection.

Its high output level and low-mass diaphragm deliver excellent transient response and clarity, resulting in clear and detailed sound reproduction. It is ideal for vocal dynamics or to be used with loud instruments such as drums.

The built-in shock mount system helps to reduce handling noise. This is ideal if you like to move around the stage a lot or even for drummers who need the mic placed near their kit.

Despite its low price point, the SB 78A delivers excellent performance; it can capture high-quality sound in many live performance settings in an excellent affordable option for musicians on a budget.

Its rugged construction means that it can be easily transported and set up. Additionally, the mic comes with a carrying case for further touring protection.

Key Features:

  • Polar Pattern
    It has a cardioid polar pattern, which means it is most sensitive to sound coming from the front and least sensitive to sound coming from the sides and rear, helping to isolate the sound source and minimize unwanted room noise and bleed from other sources.
  • Frequency Response & Sensitivity
    The frequency response range of 20Hz to 20kHz allows the mic to capture the full spectrum of audible frequencies, from the deep bass of a kick drum to the high frequencies of a cymbal crash, with its sensitivity rating of -37dBV/Pa; it is also capable of pick up subtle nuances in the sound being recorded.
  • Impedance
    The SB 78A has a low impedance of 75 ohms; this makes it easy to integrate into most studio setups and live sound applications since it doesn’t need additional impedance matching.
  • Maximum SPL
    This mic’s maximum sound pressure level is 136dB, meaning it can easily capture loud instruments. In perspective, a jet engine can produce sound levels of up to 140 dB. This allows it to perform without clipping or distorting the audio signal.
  • Build
    In terms of components, the Behringer SB 78A features a rugged metal body and grille, which helps to protect the microphone from damage during use. It also features an integrated shock mount built into the mic body. It helps reduce the amount of unwanted noise that can be picked up during recording by isolating the mic from vibrations and handling.


One of the main advantages of this microphone is its versatility. The mic’s flat frequency response and cardioid polar pattern make it well-suited for various recording and live sound applications, including vocals, acoustic instruments, and drums.

Many users appreciate the microphone’s solid metal body and shock mount, which help to reduce handling noise and ensure durability. The microphone’s built-in pop filter is also a nice touch that can help to improve vocal recordings.


One issue with the SB 78A is its sensitivity to handling noise. The mic’s cardioid polar pattern helps to reduce background noise but can also pick up vibrations from the microphone stand or other sources.

Some users have reported that the mic can be prone to picking up handling noise, which can be distracting or even ruin a recording or performance.

Also, while the mic has a flat frequency response across much of the audible spectrum, it begins to roll off below 100Hz. This can be problematic for recording certain instruments or vocal styles that require a strong low-frequency response. While this issue can be addressed with post-processing or equalization, it’s something to remember when considering the mic for specific recording applications.

8. Audix VX5 Electret Condenser Microphone

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The Audix VX5 developed a different approach to its diaphragm treatment and set a unique character with the electret coating.

Electret condenser mics offer several advantages; they are highly sensitive, capable of capturing even the slightest variations in sound and have a flat frequency response, which means they can accurately reproduce sound across a wide range of frequencies.

The electret refers to a material with a permanent electrical charge. In these mics, the diaphragm is coated with this material, which creates a constant charge on the plates and eliminates the need for an external power source.

It features a cardioid polar pattern, which helps to isolate the intended sound source and has a low self-noise level, helping ensure that the audience can focus on the sound of the vocals or instrument without any unwanted distortion or background noise.

It also has a high SPL handling capability of 140dB, making it well-suitable for loud instruments such as electric guitar and drums.

The durable zinc alloy body and a hardened steel grille ensure the Audix VX5 will endure the wear and tear of road touring use.

Key Features:

  • Polar Pattern
    It boasts a cardioid polar pattern that helps to reduce ambient noise and feedback, making it an excellent choice for use on stage.
  • Frequency Response & Sensitivity
    It features a narrow frequency response range of 40 Hz to 16 kHz; while it can still capture the full range of vocals, it may lack some definition of high-frequency harmonics. This might be a tolerable cut for most live performances, but for recordings, this may affect the overall result and quality of the track. Its high sensitivity rating of -48 dBV/Pa allows the mic to capture even the subtlest nuances in a performance, which is especially important for reproducing the emotional expression of a singer’s voice.
  • Impedance
    The VX5 has a relatively low impedance of 150 ohms; this means it can be easily used with most professional audio equipment, including mixing consoles, preamps, and audio interfaces.
  • Maximum SPL
    It can handle a maximum sound pressure level of up to 140dB, above an average rock concert of around 120 dB. This allows the mic to perform with loud sources without clipping or distorting.
  • Build
    The VX5 uses Audix’s proprietary VLM (Very Low Mass) capsule technology. Its low mass allows it to respond more quickly to changes in sound pressure, which helps improve transient response and reduce distortion and results in a more accurate and detailed sound.
    Its integrated shock mount helps reduce handling noise and vibrations; isolating the capsule from the handle and body of the mic minimizes the transmission of mechanical noise.
  • Electret Composition
    Electret mics use a thin film of electret material to convert sound waves into an electrical signal. The electret film is made from a plastic material that has been charged with a static electric charge. When sound waves hit the film, it vibrates, and the movement of the film causes changes in the electrical charge, which are then converted into an electrical signal that can be used to capture the sound.
    Electret condenser microphones have a very flat frequency response, which makes them ideal for recording music and other audio where a balanced and accurate representation of the sound is important.


Its cardioid polar pattern is highly effective in reducing ambient noise and feedback. Also, its VLM capsule technology makes it a versatile and reliable mic capable of accurately capturing a wide range of sounds.


Electret condenser microphones have some limitations. They can be more susceptible to noise and interference than other microphones, and their sensitivity can make them prone to distortion in high-volume situations.

Some users noted that the mic’s low-end frequency response could be more robust for capturing very low-frequency instruments and that its cardioid polar pattern may not be suitable for capturing ambient sounds.

9. Audio Technica AE5400

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With its Hi-Energy Neodymium Magnet and 20Hz to 20kHz frequency response, the AE5400 will surely reproduce the cleanest and true-to-original sound.

The AE5400 cardioid polar pattern helps isolate the intended sound source, while its high SPL handling allows it to capture loud and dynamic sound sources easily. At the same time, the multi-stage grille design provides excellent protection against any other unwanted sounds.

Another notable feature of this mic is its excellent transient response, which helps to capture the subtle nuances of a performance and ensure that every detail is accurately reproduced.

This mic also boasts excellent feedback rejection capabilities, making it an ideal choice for use on stage, where feedback can often be a challenge; the low-cut filter that can also be engaged to help reduce low-frequency rumble and handling noise.

Designed for touring, the Audio Technica AE5400 features a sturdy build boasting a rugged metal construction and comes with a protective case, ensuring that it stays secure during transport.

Key Features:

  • Polar Pattern
    The cardioid polar pattern of the AE5400 helps to reduce unwanted background noise and feedback while emphasizing sound sources directly in front of the microphone and allowing some of the sides sounds to bleed into the mix.
  • Frequency Response & Sensitivity
    This mic has a wide frequency response of 20 Hz to 20 kHz, which means it can capture a broad range of sounds, from deep bass to high treble, with exceptional quality and dynamics.
  • Impedance
    Regarding impedance, the AE5400 has a relatively low impedance of 150 ohms. This allows the microphone to deliver a clear signal without additional amplification. At the same time, it also means that it is less susceptible to electromagnetic and radio frequency interference, which other electronic devices in the surrounding environment can cause.
  • Maximum SPL
    The mic’s high SPL handling capability of up to 147dB makes it suitable for various instruments and vocal performances, including loud drums, electric guitars, brass instruments, and even screaming vocals.
  • Build
    Its capsule is internally shock-mounted, which helps to reduce handling noise and vibrations, and its body is made of rugged metal, made to endure road life. The multi-stage grille helps to protect the capsule and reduce plosives and other vocal sounds that can cause distortion.
  • Hi-Energy Neodymium Magnet
    The AE5400 features a powerful neodymium magnet that helps to provide a high output level and exceptional transient response. This ensures that even the most dynamic of performances can be captured accurately.
  • Switchable -10 dB pad
    It also features a switchable -10 dB pad that can be engaged to reduce the microphone’s sensitivity, ideal for use with extremely loud sources to ensure it doesn’t clip or distort the signal.


Its large diaphragm condenser capsule, cardioid polar pattern, and high SPL handling make it a great choice for capturing clear, accurate vocals and instruments in live sound applications.

The mic’s low self-noise, switchable low-frequency roll-off filter, and switchable -10 dB pad provide additional flexibility in different recording scenarios.

It is a versatile tool that boasts a rugged build and attractive design. Its unique internal shock mounting system and multi-stage grille also help reduce handling noise, making it a reliable asset on your rig.


One feature that might be a drawback of the AE5400 is its sensitivity to proximity effect, which can cause a boost in low-frequency response when the microphone is placed close to a sound source.

While some users appreciate the added warmth and depth of the proximity effect, others may find it too pronounced or difficult to control, particularly in live sound applications where performers may move around on stage.

10. Shure KSM9

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The KSM9 can cover many live settings with only one tool, boasting a dual-diaphragm design and two switchable polar patterns.

The KSM9 is a premium handheld condenser mic featuring a dual diaphragm design that provides superior sound quality, excellent feedback rejection, and a switchable polar pattern, allowing you to switch between cardioid and super-cardioid patterns depending on the performance environment.

This makes it a popular choice among vocalists since it provides exceptional flexibility and allows the microphone to be used in various settings, from small clubs to large arenas.

Its frequency response delivers exceptional clarity and detail for an accurate, natural sound. Along with its three-stage pop protection grille and low-frequency roll-off switch, it reduces unwanted rumble and improves clarity on the low end.

Overall, the Shure KSM9 is a top-of-the-line microphone that is well-suited for use in professional live performance settings and made to withstand the touring life.

Key Features:

  • Switchable Polar Pattern
    The KSM9 offers two switchable polar patterns: cardioid and super-cardioid. The cardioid pattern is ideal for most vocal performances as it picks up sound from the front and rejects sound from the rear. The super-cardioid pattern offers a narrower pickup angle, making it ideal for performances in noisy environments where isolation is important.
  • Frequency Response & Sensitivity
    It boasts a frequency response of 50 Hz to 20 kHz, which means it can capture a wide range of frequencies. This makes it ideal for capturing the full range of a singer’s voice; the narrower low-end still allows it to pick up the low bass notes and go all the way up to a high falsetto.
    It also has a high sensitivity rating of -51 dBV/Pa. This means it can capture even the most subtle nuances of vocal performance without requiring the performer to get too close to the microphone.
  • Impedance
    Its has an output impedance of 150 ohms, which is standard for most professional mics and audio equipment. The low impedance output helps to reduce noise and interference, resulting in a cleaner and more accurate sound.
  • Maximum SPL
    This mic can handle high sound pressure levels of up to 152 dB, adding to its high-performance capabilities. This ensures the signal is captured without distortion or clipping, resulting in a natural, accurate reproduction.
  • Build
    The mic body is made of a die-cast aluminum housing with ahardened steel grille, which provides excellent protection against wear and tear and impacts and drops. It also features a double-lacquered grille, granting it additional corrosion resistance.
  • Class-A Preamp
    The KSM9 features a Class-A preamp, which provides a high level of clarity and detail in the sound. The Class-A design is known for its low distortion and noise, making it ideal for accurately capturing vocal performances’ nuances with no signal coloring.
  • Dual Diaphragm Design
    This mic boasts a dual diaphragm design, which means it has two diaphragms instead of one. This allows the microphone to capture lower and higher frequencies accurately, resulting in a more detailed sound.


It is widely regarded as one of the best handheld vocal microphones available today. Its dual-diaphragm design, switchable polar patterns, and Class-A preamp provide exceptional detail, clarity, and accuracy in vocal recordings and live performances.

Users have also noted the microphone’s durability and reliability, with many reporting that the KSM9 has held up well over years of frequent use in live performances and recording sessions.


One common criticism of the KSM9 is that it can be quite heavy, weighing around 300 grams. This can make it somewhat uncomfortable to hold for extended periods, particularly for singers who need to move around on stage. Some also noted that the larger mic could make using certain microphone stands or mounts difficult.

(Video) Best Condenser Microphone For Vocals In 2023 | Best Condenser Microphones For Vocals Under $200

Additionally, while the KSM9’s switchable polar patterns are generally praised for their versatility, some have reported that the microphone can be somewhat sensitive to placement and proximity. This can require some experimentation to achieve the desired sound, particularly in live performance settings where ambient noise or interference may occur.

11. AKG C636 Cardioid Condenser Microphone (High-End)

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Featuring a hypercardioid polar pattern, this mic is optimized to focus on you that is straight in front of it while ignoring background noises from side sources.

This mic features a host of high-end features that set it apart from other mics in its class. A professional-grade cardioid condenser microphone designed for use in live vocal performances, the C636 is an ideal choice for professional performers.

One of its key features is its proprietary capsule design, consisting of a custom-tuned diaphragm and shock-mounted capsule that work together to provide exceptional sound quality and feedback rejection.

Its cardioid polar pattern helps to reduce background noise and feedback further while capturing the natural tone of your voice.

The AKG C636 is a highly sensitive mic with a wide frequency response. Combined with its custom capsule, it can capture the nuances and subtleties of the vocalist’s voice, even in noisy or challenging performance environments.

It also features a switchable 80Hz bass-cut filter that helps reduce low-frequency noise and improve clarity in the mix.

Key Features:

  • Polar Pattern
    The AKG C636 features a hypercardioid polar pattern, which means it is highly directional and picks up sound almost exclusively from the front of the microphone while rejecting sound from the sides and rear. This is beneficial for live performances as it helps to reduce feedback, resulting in a clearer, focused sound.
  • Frequency Response & Sensitivity
    With a wide frequency response range of 20Hz to 20kHz, the C636 is suitable for a wide range of vocal styles and can capture both the low-end warmth and high-end clarity of the human voice and instruments like an electric guitar.
    It has a sensitivity rating of -25 dBV/Pa, which means it can easily pick up low-level sounds and requires less gain from the preamp.
  • Impedance
    It has a low impedance of 50 ohms, ensuring it can drive long cable runs without losing signal quality. This is important for live performances where the microphone may be far from the mixing console or preamp.
  • Maximum SPL
    A high SPL handling capability ensures that the microphone won’t distort or clip even when the singer is belting out high notes, and this mic can handle sound pressure levels of up to 150 dB, making it suitable for use with even the loudest singers and in the most demanding performance situations.
  • Build
    It features a custom-designed capsule that uses a three-layer pop noise rejection system to eliminate plosive sounds and breath noise from vocal performances, an integrated shock mount that helps to isolate it from handling and mechanical noise, and a rugged, all-metal construction ensures that it can withstand drops, bumps, and other mishaps that can occur during transport or setup.
  • Presence Boost Switch
    It includes a switchable presence boost that can add clarity and definition to vocals, making them stand out. This feature can be particularly useful for singers with a lower register or for performances where the vocal needs to cut through a dense mix.


The hypercardioid polar pattern ensures that the mic is highly directional with a front-oriented capturing range; this takes the side and background noise rejection to a whole new level, granting you a clearer, well-defined signal capable of capturing every nuance.

Users have praised the mic’s ability to cut through a dense mix and its switchable presence boost.


The mic’s hypercardioid polar pattern, while beneficial for reducing feedback and background noise, may also result in a less natural sound than other microphone types, which may not be desirable for users looking for a more natural or ambient sound.

Additionally, while the microphone’s switchable presence boost can benefit certain vocal styles or performance situations, it may not be necessary or desirable for all users. It also may require additional adjustments in the mixing process.

12. Lewitt MTP 350

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A budget option that features the minimum requirements for a live performance reproduction that’s accurate and natural

The MTP 350 was designed with road usage in mind and boasts a built-in shock mount system that, together with its steel mesh grille and a die-cast zinc body, helps to reduce handling noise and ensures that the mic has enough protection from damage due to drops and impacts.

Tailored to capture the nuances of the human voice, it features a slight boost in the high frequencies, which helps to enhance the clarity and detail of vocals while also providing a smooth and natural sound overall.

It features a cardioid polar pattern, equipped with a high-quality diaphragm and a low-mass coil, which deliver pristine, accurate sound with exceptional detail and transparency.

Another interesting aspect of the Lewitt MTP 350 is its ergonomic design; this mic has a balanced weight distribution and a tapered shape to be comfortable when used over extended periods, reducing strain on the hand and wrist.

Key Features:

  • Polar Pattern
    With a cardioid polar pattern, the MTP 350 is most sensitive to sound from the front and rejects sound from the sides and rear. This makes it ideal for capturing vocals and instruments in a live or studio setting while minimizing unwanted ambient noise.
  • Frequency Response & Sensitivity
    This mic features the narrowest frequency response range of 60 Hz to 15 kHz, meaning that it is optimized to capture mid-range and high-end frequencies. It can still capture the dynamics of the vocalist’s performance, but it might lack some of the low-end frequencies, resulting in a slighter, thinner sound. It has a high sensitivity of -54 dBV/Pa, allowing it to accurately capture subtle, quiet sounds.
  • Impedance
    The microphone has an impedance of 540 ohms, which means it can work effectively with most mixing consoles, preamps, and audio interfaces.
  • Maximum SPL
    As it can capture the faintest sounds, it can also endure loud sounds without distorting; with a maximum sound pressure level of 156 dB, it’ll withstand the exposition to the high-level sources present in a live performance stage.
  • Build
    Its robust body, hardened steel mesh grill, integrated shock mount, and built-in pop filter make it a reliable and versatile tool to withstand live performance and studio recording demands.


Its cardioid polar pattern provides excellent off-axis rejection, which makes it ideal for live performances where background noise can be a problem, as well as for studio recording where isolation and control of the recording environment are essential.

Additionally, its high sensitivity and low self-noise ensure that it captures even the quietest nuances of vocal and instrumental performances with clarity and detail.

Overall, users have found the Lewitt MTP 350 a reliable and high-quality microphone that provides excellent sound quality and performance at an affordable price.


Some users have reported issues with the build quality of the MTP 350. Specifically, the mic’s XLR connector is reported to be somewhat loose, which can result in intermittent connection issues or even complete failure of the microphone.

Additionally, some have reported that the included microphone clip is not sturdy and can break easily, requiring replacement.


While many high-quality mic options exist, some stand out in sound performance and versatility. Each mic reviewed above offers unique features and capabilities that make them well-suited for various live performance scenarios.

Regarding high-end options, the Neumann KMS105, Shure KSM9, and Audio-Technica AE5400 are among the best. These mics offer exceptional sound, detail-rich reproduction of vocals and featuresfocused capsules that help to reduce feedback.

The Rode M2, Audio-Technica AT2010, and Shure SM86 are excellent choices for those seeking a more versatile mic, boasting a range of capabilities that make them well-suited for many recording and performance settings.

For those after a mic specifically designed for live performance, the Shure Beta 87A, Audix VX5, and Lewitt MTP 350 are ideal for the task. Featuring excellent off-axis rejection and robust construction, these mics can optimally perform in live environments.

Ultimately, the best choice of mic will depend on various factors. It is important to consider your specific needs and applications, from personal preference and budget to the specific needs of the recording or performance situation.

By considering these aspects before deciding on your model, you can ensure that you select a mic that will help you deliver your best possible performance and sound great every time.

Top 12 Condenser Mics For Live Vocals 2023 | Integraudio (13)

Marcos Brandoles

(Video) BEST Microphones EVER for MALE Vocals 2022

I currently acts as a session musician, producer, and content creator, with a passion for sharing my knowledge and experience with others in the music community by either directly lending my playing skills to a variety of projects and artists, bringing the unique style to each project or helping other musicians shape their sound and bring their creative visions to life as well as sharing my knowledge and insights by combining skills as a musician and producer to create helpful, engaging content. Read more…


What is the best condenser mic for singing? ›

Let's dig in!
  1. Shure Beta 87A Vocal Microphone. ...
  2. Shure KSM9 Cardioid and Supercardioid Condenser Mic. ...
  3. Sennheiser e865 Condenser Microphone. ...
  4. Neumann KMS 105 Handheld Condenser Vocal Microphone. ...
  5. Austrian Audio OC707 True Condenser Vocal Microphone. ...
  6. Rode M2 Condenser Microphone. ...
  7. Audio Technica AT2010 Vocal Condenser Microphone.
Aug 24, 2022

Are condenser mics good for live vocals? ›

Are they good for live vocals? Yes, they are. Condensers are perfect for singers with a wide frequency range. The frequency response is tailored to live vocals, commonly around 50 Hz – 20 kHz – which means you won't get the low-end boom and proximity effect when singing up close.

Which company condenser microphone is best? ›

  • MAONO.
  • Boya.
  • Shure.
  • Audio-Technica.
  • Rode.
  • Powerpak.
  • AKG. Sennheiser Professional Audio. Behringer. Blue Microphones. HyperX. See more.

What is the best vocal processor for live? ›

The Top 5 Vocal Effects Processors
1.Behringer Virtualizer 3D FX2000
2.TC Helicon VoiceTone Harmony-G XT
3.Roland VT-3 Voice Transformer
4.Boss VE-20 Vocal Performer
5.TC-Helicon VoiceLive 3

Is a dynamic or condenser mic better for live vocals? ›

Do singers use dynamic or condenser mics? They use both depending on the situation. For live use a dynamic microphone is more robust and perfect for the dynamic range of a PA system. Whereas a condenser microphone is more sensitive and great for when you're in a quite and controlled recording environment.

What microphone makes you sound better? ›

Condenser Microphones

They produce a more “colored” sound than other microphones because they are more sensitive to both lower and higher frequencies. In short, if you ever want to pick up room noise or general ambiance, a condenser microphone will be the best bet for the job.

What mic did Michael Jackson use? ›

Known as the Shure SM7, Michael used this mic the most on his first few albums, including Thriller. It is an industry standard used for music recordings as well as for broadcast radio and TV.

How far should you sing from a condenser mic? ›

The ideal distance should be such that the microphone only picks up the sound of your voice while avoiding the other sounds of the room. The appropriate length for the most common microphone (a large-diaphragm condenser) is 6-12 inches away from your mouth.

What microphones are used for live sound? ›

Condenser Microphone

Condenser microphones are most often found in recording studios. However, many condenser mics are now being used in live sound environments. The condenser microphone is a very simple mechanical system, simply a thin, stretched conductive diaphragm held close to a metal disk called the back plate.

What are the disadvantages of the condenser mic? ›

Downsides of Condenser Microphones
  • Delicate and sensitive. Because of their delicate construction, condenser mics are not as durable as dynamic mics.
  • Potential self-noise. ...
  • Require external power source. ...
  • Work best in studio environments.

What is the best microphone of all time? ›

The Shure SM57 is one of the most important microphones of all time - live and in studio. Their reliability, durability, and practical frequency response make them a natural choice to stock up the mic locker for any scenario recording can throw at you, especially guitar cabinets.

What is a quality condenser microphone? ›

Condenser Mics Capture More Detail in Audio

Good-quality condenser microphones have high sensitivity, which means they can pick up very soft sounds. They are able to capture more detail in sound, especially in picking up nuances in vocals.

How do you make your vocals sound better live? ›

How to Make Vocals Sound Better
  1. Cleaning Up A Vocal.
  2. Remove Nasal, Plosives, and Esses.
  3. Controlling Vocal Dynamics.
  4. Add Warmth, and Clarity with EQ.
  5. Mildly Distort or Saturate the Vocal.
  6. Try an Exciter with an Air EQ.
  7. Use Short Reverb and Delay.
  8. Use Long Reverb and Delay.

What device do singers use to sound better? ›

Microphones. This is the singer's most important tool, and they are not created the same. In the studio, you will find very sensitive microphones that pick up every nuance of the voice.

Should live vocals be mono or stereo? ›

Mono recording is perfect for vocals and can work on other instruments. Stereo recording works well on acoustic guitar and even drums. Mono mixing helps you end up with a track that sounds good everywhere.

Which dynamic mic is mainly used for live vocals? ›

Shure SM58 Cardioid Dynamic Vocal Microphone

The Shure SM58 Cardioid is an instant favorite for any vocalist on a budget. We also love this mic for its consistent and impressive projection quality.

Can I use a dynamic and condenser mic at the same time? ›

If you are recording with condenser mics that require phantom power, any dynamic mics (that do not require phantom power) that are also connected to affected channels will be supplied with 48V. Generally, this does not cause problems but we advise checking with the mic manufacturer first before connecting.

Does a expensive mic make you sound better? ›

Fidelity and accuracy are expensive qualities to build into a microphone, so those are the areas that will generally improve as you increase your budget. However, this doesn't necessarily mean that your voice will sound better through a more expensive mic; it's more important that you find the right mic to suit you.

What mic does Snoop Dogg use? ›

Going for the Gold, and Pink

At halftime, iconic rapper and entrepreneur Snoop Dogg (opens in new tab) took to the stage wielding a custom gold-plated ADX2 transmitter with a KSM9 microphone capsule and wore Shure SE215 Sound-Isolating in-ear monitors.

What microphone did Frank Sinatra use? ›

His vocal mic was the Shure SM53. His stage monitors were Shure VA301-S loudspeakers. Later in the 1970s, the SM58 became Sinatra's primary microphone for performances.

What mic did Elvis record with? ›

One for the Money: The Shure Unidyne I Model 556

This variation of the Unidyne I is one of the more recognizable microphones that Elvis used in the prime of his career.

What is the 3 to 1 rule for placing microphones? ›

This rule deals with minimizing the audible phasing problems when summing several microphones to mono. The rule states that the source-to-microphone distance of numerous microphones should be three times the distance between the sound source and the nearest microphone.

Why do my vocals sound so bad? ›

Understand The Problem. The true problem with harsh vocals is that they are caused by specific frequency resonances within the high frequencies of the vocal track. These resonances often don't happen all the time but rather only when certain consonants, phrases and notes occur within the vocal performance.

How loud should vocals be? ›

In the question of what dB should vocals be, you should understand that the average decibels will be the “golden mean”. Thus, it is best to record vocal renditions with an average of -18 dB, assuming you are using the standard definition 24-bit. However, louder parts such as screams or breakdowns should be -10dB.

Which type of mic is most commonly used in live settings? ›

The most common form in live use is the cardioid pattern, although hypercardioid mics are also common. Omnidirectional mics are less often seen. Hypercardioid mics have the best feedback rejection.

What mic does Ed Sheeran use live? ›

Sixteen channels of Sennheiser 2050 IEMs are used for Sheeran and his band, which comprises drums, bass, two guitarists and keys, who are positioned on 'islands' in front of the PA and also use a selection of Sennheiser dynamic mics.

What mic did Freddie Mercury use live? ›

Have you ever seen a video of Queen playing live, or the biographical movie Bohemian Rhapsody? If so, you may have noticed Freddie Mercury wielding his favorite mic: the Shure 565SD Unisphere Vocal Microphone.

How long should a condenser microphone last? ›

Thus, a lifespan of 30-40 years or more can be expected.

Why are condenser mics good for vocals? ›

Condenser microphones are ideal for recording sung or spoken vocals. This is thanks to the flexible front plate, which leads to accurate sound recording. Additionally, they are well-suited to recording high frequencies.

How do I get rid of background noise on my mic? ›

To reduce ambient sounds while you're using a standard microphone, do a quick sweep of your area. Turn off any fans, televisions, radios, or audio output systems that may be picked up by your microphone. Make sure that any nearby devices aren't causing interference as well.

What is the best mic settings for clear voice? ›

Ideally, your voice should register at about -10 db to -20 db. Avoid going above -6 db, as this can cause telltale distortion that makes it hard to distinguish what's being said. To check your volume, hook up your microphone to your laptop and download a free audio recording program to make sure your levels are right.

Is a bigger condenser better? ›

So there you have it. Experimental proof that the bigger the condenser, the better for your distillation. Do keep in mind that there are limitations before making the investment. For example, to prevent re-boiling in the receiving flask, the pressure setting needs to be adjusted accordingly.

Does the condenser size matter? ›

In air conditioning, sizing your unit right is extremely important. Only a properly-sized AC unit will run through healthy on and off cycles. It also won't run non-stop at the expense of efficiency.

What mic does Billie Eilish use? ›

In addition, to record their Grammy-winning hits, Billie and Finneas used a Neumann TLM 108 microphone. The mic was key in capturing Eilish's vocal recording clearly, and with high quality, which allowed Finneas to work his magic and produce their signature sound.

Which mic is best for vocals? ›

If you're a vocalist who records in studios, a condenser mic is a smart choice. However, for anyone who performs live, a dynamic mic should be your go-to microphone.

What is the best brand of microphone condenser? ›

Best Condenser Microphone 2023 • 7 Condenser Microphones Reviews
  • JLab. Audio Talk Pro.
  • Yeti Nano Premium 0496.
  • Logitech. Blue Snowball GB.
  • Audio Technica. AT2020.
  • PoP voice. Professional.
  • Neewer. NW-700.
Feb 13, 2023

Are condenser mics good for live? ›

Are they good for live vocals? Yes, they are. Condensers are perfect for singers with a wide frequency range. The frequency response is tailored to live vocals, commonly around 50 Hz – 20 kHz – which means you won't get the low-end boom and proximity effect when singing up close.

Is SM7B good for live vocals? ›

The 50 to 20,000 Hz frequency response makes the Shure SM7B perfect for all manner of studio recording including vocals whether for voiceovers, podcasting, broadcasting or singing, as well as acoustic guitars, electric guitars, drums – anything where you want a clean, accurate representation!

What mic does Billie Eilish use live? ›

Neumann TLM 103 Condenser Microphone.

What microphone does Ariana Grande use live? ›

Sennheiser SKM 9000

In the video, Ariana Grande can be seen using the Sennheieser SKM 9000 series wireless microphone made by Sennheieser. One key feature that points it out is the blue logo, buttons and long shark fin shaped antenna.

Who uses SM7B for vocals? ›

The SM7 was also used to record the haunting voiceover by Vincent Prince on the “Thriller” single. Other artists that have employed the dynamic workhorse for vocal recording duties include Green Day, Bob Dylan, Sheryl Crow, Metallica and many more.

What mic does Justin Bieber use on stage? ›

I feel at ease using it. Justin Bieber uses a Sony C800G, Telefunken ELAM 251, Neumann U47, or Neumann U67 Neumann. Adele and her backup singers rely on Sennheiser's flagship microphone for all of their vocals.

What microphone did Pink Floyd use? ›

“Pink Floyd has worked with Sennheiser and Neumann microphones throughout their career.

What mic did Elton John? ›

The legendary British recording artist employed the Audio-Technica AE6100 hypercardioid dynamic handheld microphone for his lead vocal. According to Audio-Technica, the Artist Elite AE6100 hypercardioid dynamic vocal microphone delivers clean articulation, fast transients and high-output, assertive sound for vocalists.

What microphone did Elvis use live? ›

One for the Money: The Shure Unidyne I Model 556

This variation of the Unidyne I is one of the more recognizable microphones that Elvis used in the prime of his career.

What mic did Billie Eilish use? ›

Moving on to the microphone. According to ProSoundNetwork, Billie and Finneas used a Neumann TLM 103. This microphone retails at $1,100 and can be bought at Sweetwater. The interface used by the duo to record their Grammy-winning productions was a Universal Audio Apollo 8.

What microphone does Taylor Swift? ›

A microphone is a device that translates sound vibrations in the air into electronic signals and scribes them to a recording medium or over a loudspeaker. Microphones enable many types of audio recording devices for purposes including communications of many kinds, as well as music vocals, speech and sound recording.

What mic did Whitney Houston use? ›

Sennheiser SKM 4031. Whitney Houston used this cordless Sennheiser microphone on many of her performances, especially on tv show presentations. This was a very popular microphone during the 80's and 90's.


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